/ Proof
See the measurements.
Every version is measured against released masters in your genre before it ships. Loudness-matched, so you judge sound, not volume.
/ A/B · loudness-matched
The A/B runs on your own track. Send one and the player fills with your premaster and the test master, level-matched.
/ The numbers
SAMPLEas loud as the released master
and it still breathes
the beat survives
/ The measurement frame
Loudness-matched
Both versions are levelled to the same integrated loudness before you hear them. Louder is not better, it is just louder.
Released masters per genre
Band balance and dynamics are held against released masters in your genre, so the record sits where it has to sit.
Admission-gated
A render that wins by staying quiet is thrown out: every candidate has to reach the loudness of the released masters before its sound is compared.
/ Genre coverage
Tuned and checked per genre — from techno and house through hip-hop, pop and rock to orchestral and ambient.
LEARN is not AI.
LEARN measures your track on your machine — level, spectrum, groove — and sets the instrument from what it finds. It runs inside the plugin, on the record you loaded. No cloud, no model trained on other people's records.
/ The bench
Every number on this site comes from one fixed bench: loudness-matched renders of paired premasters and their released masters, measured with MeMP. A number that has not been through that bench is marked SAMPLE.
/ Technical note
Not another multiband.
A usual multiband splits your record and hands you back the seams. ThuMP splits once, in linear phase — the bands re-sum as if they never parted, and the stereo field arrives intact. Then it adds instead of replaces: every enhancement runs in parallel with the record, exactly where you need it.
THUMP
Low-end weight you feel, voiced for your track.
PUNCH
Transient impact — the hit survives the processing.
SPARKLE
Presence and air, added — not hyped.
GRIP
Sections settle into place. Transients walk through untouched.
Press LEARN and the whole path stages itself for your track — loudness-matched, so you judge sound, not volume. A starting point you can trust. The finish is yours.
Hear it on your own track.
Send one file. You get 60 seconds mastered, loudness-matched against your premaster, plus the measured audit. Decide after you have heard it.
Send a track