Send a stereo premaster, stems, or a rough mix with references. I master on a hybrid analog/digital chain and deliver through your account, usually within 48 to 72 hours.
60 seconds of your track, full chain, no card required.
Pick the service, send the files, get the master back.
For finished mixes that need level, balance, translation and release-ready delivery.
For tracks where drums, bass, vocals or music need separate control without a full remix.
Selected projects only. Send stems or your DAW project, a rough mix, and references.
Free interactive tool. Plan studio acoustics in 3D, see SPL pressure zones and ideal bass trap and AVAA positions.
Get That Sound is run by Matt Merty in Frankfurt. 17 years mastering electronic music for labels, artists and producers.
Send a track that sits where you want yours to sit. I match the level, balance and feel against it instead of pushing toward a generic loud target.
Outboard for tone, glue and weight, digital where it's more precise. Same chain I use for label releases.
I master every project myself. One revision is included. Replies come from me by email, not a ticket queue.
Five things that make the master better and the turnaround faster:
Read the full prep guide →Public examples are being cleared with the labels and artists involved.
Audio examples are being cleared. If you want to hear the chain on your own track, send 60 seconds and I'll run a free test master through the full chain.
Want to hear the chain? Ask for a free test master on your own track.
Three certifications. 17 years on the job. Every master cut by me.
17 years mastering electronic music. Focus on minimal, tech house, deep house and afro house. Frankfurt-based, working internationally on club, festival and streaming releases.
Automated mastering can be useful for quick demos. My work is different: I make arrangement-aware decisions against your reference, your genre, and the destination of the release.
Sometimes that means louder. Sometimes it means leaving space.
Fully analog, built piece by piece over the years:
Each unit adds something physical: transformer color, valve compression, transient behaviour. The decisions on top of it are made by someone who knows the genre, the room and the system the track will end up on.
I also build mastering software. Currently ThuMP, a low-end and transient plugin in JUCE and C++. Useful background: I know where algorithms work and where they don't.
24-bit WAV or AIFF, 3 to 6 dB headroom on the master bus, no limiter. Send a reference and tell me where the release is going (club, festival, streaming, vinyl). Questions before upload are welcome.
Prices in EUR. No VAT shown (Kleinunternehmerregelung gemäß § 19 UStG). Add-ons available at checkout.
Frankfurt am Main. Treated room, calibrated to -18 dBFS, set up to translate across club systems, headphones and streaming.
17 years pro audio · Hybrid analog chain · One engineer
Plan your room in 3D. See SPL pressure zones, speaker vectors and the best positions for bass traps and PSI AVAA active bass absorbers. Free, runs in your browser.
ThuMP is a low-end, transient and weight processor I built for the Get That Sound chain. It runs daily on real projects. Currently in private beta with a small group of producers and label engineers.
